Marine Bléhaut enters the Curated Program with three works from the Anna cycle, expanding their research into AI archives and unstable narratives.
The release positions Anna as a shifting subject, moving through mutable rooms and refracted identities, where memory becomes both invention and echo.
Anna#9 – Hybrid archive image
This piece emerges as a recomposed portrait that hovers between intimacy and blur. Anna’s face shifts within a fragile register, embodying memory as apparition and archive as mutable surface.
Anna#10 – Hybrid archive image
The work situates Anna inside a house that constructs and erases itself. Each frame maps instability, where the environment transforms into an engine of identity and dream.
Anna#11 – Hybrid archive image
The final piece compresses the dream archive into lucid images that unfold as projections. Anna’s presence multiplies, circulating through memory fragments that operate as fragile rituals of recognition and loss.
Bléhaut’s practice traverses cinema, digital art, and archival imagery. Working with original footage alongside AI-generated material, they produce collage films, photographic compositions, and experimental video pieces.
By merging authentic and artificial archives, they intervene in collective memory, reshaping perception through empathy, identity, and the female gaze.
In this release, the archive transforms into a dream structure. Memory fragments oscillate between blur and recognition, while Anna’s image recurs as both self and fiction. The works activate a space where history dissolves into entropy, and identity unfolds as projection across unstable surfaces.
Marine Bléhaut has exhibited internationally, including The Speculative Agency Award at POSITION Berlin Art Fair 2025 and AI, My Sparring Partner (Havas x 1703, Paris, 2024). Their trajectory advances through layered archives that blend cinema, AI, and experimental narrative, opening new systems of image and time.
