François Vogel :: Entro_py

In a digital landscape saturated with prepackaged effects and automated distortions, François Vogel’s Entro_py emerges as a radical testament to the possibilities of glitch as a sculptural, performative act. Through a unique convergence of physical choreography and custom-built digital tools, Vogel transforms the perception of time and space into a dynamic field of elastic vision.

Entro_py comprises twenty short video works that investigate the instability of perceptual systems. Each piece is a site of elastic transformation, where Vogel’s body and the camera’s perspective fuse to expose the structural vulnerability of linear vision. Rather than applying filters in post-production, Vogel performs within and against the environment itself. His gestures become the flexible axis around which architecture, landscape, and time bend, constructing an entropic action in which the body, camera, and editing timeline synchronize as a single living system.

Introducing his own words, Vogel describes his process as a form of temporal sculpture:

“This tool lets me carve slices of space-time out of a virtual space-time cube. It might sound obscure, but that’s exactly what’s happening. The cube that appears in the Maya software acts like a flipbook: its front face is the image, and its depth represents time. I model and animate a polygonal plane in Maya that cuts through this cube and extracts a video sequence.”

This approach makes editing an act of three-dimensional sculpting, where time becomes a malleable material. Vogel’s movements and modeling converge into visual architectures that collapse linear narratives, creating elastic, shifting perspectives that challenge traditional understandings of performance and video art.

Vogel’s videos maintain an artisanal quality that preserves the integrity of the original captured material. His own words express this vividly:

“When viewers watch my videos, they can clearly see that they are digitally manipulated, yet they also sense that nothing extraneous has been added. There are no CGI elements, no characters composited onto green screens. Everything feels true to the original reality captured by the camera—yet at the same time, it is undeniably unreal.”

This paradox invites viewers into a space where reality remains authentic yet becomes profoundly altered. By pushing the boundaries of what is seen, recorded, and perceived, Vogel redefines glitch as a critical tool for expanded performance and elastic vision.

A Threshold: Toward a Living Architecture of Perception

François Vogel’s Entro_py stands among the most conceptually rigorous investigations of glitch as a language of contemporary video art. By activating distortion as a sculptural method and fusing choreography with software precision, Vogel constructs a new architecture of vision. His works challenge the viewer to experience the fragile boundary between presence and transformation, opening a space where perception itself becomes a living, elastic material.

In an era where perception is increasingly mediated by automated systems and algorithmic filters, Vogel’s Entro_py reminds us that distortion is not merely an effect but a mirror of our fragile relationship with time, space, and the shifting architectures of reality itself.