Two distinct practices unfolding within digital abstraction.
Herrera channels intuition and symbolic density through visceral gesture and color, while Zhou builds meditations of stillness and cyclical form through AI precision.
Together, they mark a new chapter in the Curated Program, expanding its language between motion and pause.
Zhou Zeliang
Zeliang Zhou :: Waiting as Form
Zeliang Zhou introduces a meditative grammar of delay. Through AI-generated compositions and minimal geometries, each work visualizes waiting as temporal architecture. His images suspend motion, transforming repetition into awareness. The circle becomes a digital mantra, a structure where perception folds into stillness and tension coexists with calm. Within this repetition, form reveals the invisible rhythm of time itself.
Inspiration and Execution
From idea to realization, this piece examines the moment when thought materializes into image, tracing the invisible link between intention and form.
Untitled Project
A study of openness. The absence of title becomes a conceptual stance, extending the work into infinite interpretive space.
Circle and Circle
A dialogue between completion and incompletion. Two circles coexist, one stable, one loading, inviting the viewer into a state of continuous return.
Zeliang Zhou creates visual systems through artificial intelligence, exploring cyclical repetition and the metaphysics of waiting. Each project translates intangible states into minimal digital forms, transforming incompletion into visual rhythm and temporal meditation.
Vidal Herrea
Vidal Herrera :: Excavations of the Self
Vidal Herrera approaches abstraction as a process of inner excavation. His digital compositions emerge from pure automatism, where gesture and instinct carve through layers of chromatic density.
Color becomes sediment; form becomes sensation.
Each work operates as a digital fossil, a trace of consciousness unearthed through intuition and erosion. The image expands beyond representation, breathing through time and matter as a record of psychic motion.
There’s Something Else
A descent into the subconscious surface. Through intuitive gestures and symbolic overflow, Herrera constructs an archaeology of emotion where every pixel vibrates with temporal depth.
Valentín Vidal Herrera (b.1999) works across digital media, design, and performance. His practice merges surreal automatism and symbolic density, using the body as instrument to access unconscious imagery. Herrera’s work has been featured with SuperRare, Fakewhale, Verse, Seed, Artcrush, and internationally exhibited across the US, UK, Belgium, France, Brazil, and Argentina.
Through opposite grammars — stillness and intensity — Zhou and Herrera reveal two parallel systems of transformation. Both translate perception into structure, turning anticipation and instinct into visual thought.
Their works expand the Curated Program into a field of reflection, where waiting becomes language and color becomes consciousness.
