Two trajectories converging across digital introspection and algorithmic emergence.
CCDDBB writes through systems, generating order within instability.
Zlaser visualizes memory as matter, reconstructing the fragments of emotion through decay.

Together, they define a new frequency in the Curated Program, where chaos becomes structure, and recollection turns into light.

CCDDBB :: Subdued Chaos

Living between Italy and Thailand, CCDDBB navigates two temporalities: precision and flux. Their practice merges photography, design, video, and code into rhythmic systems of visual balance. Through algorithmic discipline and human intuition, CCDDBB converts instability into structure, tracing a poetic geometry of control and release.

Subdued Chaos unfolds as a computational meditation on balance, emergence, and control. Each piece is generated through Plottable Mess, an algorithmic framework translating disorder into rhythm. Within this process, chaos becomes an extension of logic, a language of noise where geometry learns to breathe.
Through repetition and modulation, CCDDBB composes visual systems that oscillate between machine and intuition. Lines fracture, curves stabilize, and patterns converge toward stillness. The series becomes a field of tension, where code turns contemplative and structure begins to dream.

Created in October 2025, Subdued Chaos reflects the artist’s long-standing dialogue between computation and human presence. Each output is fully plottable, transforming digital emergence into potential physical form.
The line acts as memory: fragile, disciplined, and endlessly mutable. In this gesture, CCDDBB redefines chaos as a meditative act of drawing, an architecture built from disorder.

Subdued Chaos – Part One

Subdued Chaos – Part Two

Subdued Chaos – Part Three

ZLASER

Zlaser’s practice merges photography and digital media into an introspective dialogue between observation and computation.
Early works captured urban narratives and fleeting gestures; later, AI and digital manipulation transformed these insights into visual meditations on memory and transformation.
Following a personal hiatus in 2024, their approach turned inward, toward digital introspection, emotional erosion, and the algorithmic reconstruction of recollection.
Each image operates as an emotional artifact: memory eroded, light remembered, presence reframed.
Together, these gestures form a language of recollection, where memory behaves like light, expanding, diffusing, persisting.

Through synthesis and distortion, Zlaser turns recollection into rhythm and data into empathy, allowing disappearance to become a form of preservation.

Anchorage

A single tree anchors itself in a desolate landscape.
Roots expand beneath unseen soil, forming a network of endurance.
Anchorage speaks of quiet resistance, of memory that holds even as the surface collapses.
Light dissolves, but the structure remains, a meditation on survival through decay.

Broken on the Wheel

A family photograph dissolves into abstraction.
Faces blur, edges tremble, and presence fades into data.
Broken on the Wheel reflects on collective memory and its erosion through time, an image dismantled by its own digital echo.
Every pixel carries the weight of remembrance, suspended between intimacy and loss.
Through this fragmentation, Zlaser reconstructs emotion as texture, turning disappearance into persistence.


Through opposite grammars of control and dissolution, their works articulate two modes of digital meditation.
CCDDBB translates chaos into equilibrium; Zlaser transforms loss into structure.
Each constructs a system where emotion and logic intersect, revealing how memory and code can coexist as parallel architectures of thought.

Their release expands the Curated Program into a field of reflection, where algorithms breathe and memory crystallizes into light.